Member Publications Minimize

2016

Coughlin, Maura.  “Biotopes and Ecotones: Slippery images on the edge of the French Atlantic” Landscapes: the Journal of the International Centre for Landscape and Language, 7 (1). Special issue on Ecotones as Contact Zones: Reading Landscape Intersections, Summer 2015/16.

Ezekiel, Anna C., ed. and trans. Poetic Fragments, by Karoline von Günderrode. SUNY Series in Continental Philosophy. SUNY Press, 2016. Print. 

Gabriele, Alberto. The Emergence of Pre-cinema: Print Culture and the Optical Toy of the Literary Imagination (New York and London: Palgrave/ Macmillan 2016).

Gabriele, Alberto. “A Corporama of Historical Facts’: Balzac’s Comédie Humaine and the Precinematic Imagination” Modern Language Notes, French edition, 131 (2016): 1061-1079.

Gabriele, Alberto. (ed). Sensationalism and the Genealogy of Modernity: a Global Nineteenth Century Perspective (New York and London: Palgrave/Macmillan: 2016)

Hubbell, J. Andrew. “'It Cannot Be a Sin to Seek / To Save an Earth-Born Being': Radical Ecotheology in Byron’s Heaven and Earth" in Romantic Ecocriticism: Origins and Legacies, ed. Dewey Hall (Lexington Books, an imprint of Rowan Littlefield), 2016.

​Murphy, Jillmarie. “'The Humming Bird, or Herald of Taste' (1798): Periodical Culture and Female Editorship in the Early American Republic,” American Periodicals 26.1 (Spring 2016): 20-45.

Ryan, Robert M. Charles Darwin and the Church of Wordsworth.  Oxford University Press, 2016. 

Worley, Sharon.Love Letters and the Romantic Novel during the Napoleonic Wars. Cambridge Scholars Press, 2016.

Zatlin, Linda Gertner. Aubrey Beardsley: A Catalogue Raisonné. 2 vols. London: Yale University Press, 2016. Print.
 

2015

Armstrong, Mary A. “Next Week!!—: Desire, Domestic Melodrama, and the Extravagant Proliferations of East Lynne.” Victorian Literature and Culture 43.4 (2015): 745-764.

Armstrong, Mary A. “Some Thing(s) About Italy: Dickensian Objects, Interiors and Pleasures” Dickens Quarterly 32.2 (2015): 139-152.

Cook, Susan and Liz Henley. “Reading Communities in the Dickens Classroom." Pedagogy 15.2 (April 2015): 331-51.
2013).

Grenier, Katherine Haldane. “’Public Acts of Faith and Devotion’: Pilgrimages in late 19th century England and Scotland.”  Perplext in Faith. Essays on Victorian Beliefs and Doubts. Ed. Alissa Clapp-Itnrye and Julie Melnyk. Newcastle-upon-Tyne: Cambridge Scholars, 2015.

Jones, Anna Maria. “‘Palimpsestuous’ Attachments: Framing a Manga Theory of the Global Neo-Victorian.” Neo-Victorianism and Globalisation: Transnational Dissemination of Nineteenth-Century Cultural Texts. Ed. Antonija Primorac and Monika Pietrzak-Franger. Spec. issue of Neo-Victorian Studies 8.1 (2015): 17–47.

Jones, Anna Maria. “On the Publication of Dark Blue, 1871–73.BRANCH: Britain, Representation, and Nineteenth-Century History. Ed. Dino Franco Felluga. Extension of Romanticism and Victorianism on the Net. Web. (2015) 

Miller, Bonnie.  “The Evolution of a Fast Food Phenomenon: The Case of American Pizza.” Routledge History of Food. Ed. Carol Helstosky. (London: Routledge, 2015). 249-269.

2014

Cook, Susan. “Nostromo’s Uncanny Light.” Conradiana 44.2-3 (Fall/Winter 2012 [published Fall 2014]): 127-44.

Cook, Susan. “Mapping Hardy and Brontë,” in Literary Cartographies: Spatiality, Narrative, and the Prospects of World Literature.Ed. Robert Tally.  New York: Palgrave, 2014. 61-73.

Coughlin, Maura. “Death at Sea: Symbolism and Charles’s Cottet’s Subjective Realism” in  Decadence, Degeneration and the End: Studies in the European Fin de Siècle, ed. Eds. Marja Härmänmaa and Christopher Nissen; Palgrave, December 2014.

Hewitt, Regina. "Maria Edgeworth's Harrington as a Utopian Novel" Studies in the Novel 46.3 (Fall 2014): 293-314.

Hubbell, J. Andrew, (2014) “`Our Mix’d Essence’: Manfred’s Ecological Turn,” The Byron Journal, 42 (1): 5-20. 

Murphy, Jillmarie. “Maternal Fathers; or, the Power of Sympathy: Phillis Wheatley’s Poem to and Correspondence with ‘His Excellency General Washington,’” Literature in the Early American Republic [LEAR] 6 (2014): 37-62.

Murphy, Jillmarie. “Chains of Emancipation: Place Attachment and the Great Northern Migration in Paul Laurence Dunbar’s Sport of the Gods,” Studies in American Naturalism 8.2 (Winter 2014): 150-170.

Murphy, Jillmarie. “A National Icon,” in Emerson in Context, ed. by Wesley T. Mott, Cambridge University Press, 2014: 283-291.

Smentek, Kristel. Mariette and the Science of the Connoisseur in Eighteenth-Century Europe. Farnham, Surrey and Burlington, VT: Ashgate, 2014.
 

2013

Bubb, Alexander. "The Provincial Cosmopolitan: Kipling, India and Globalization." Journal of Postcolonial Writing 49.4 (2013): 391-404.

Bubb, Alexander. "Legacy of an Experimental Generation: Three Iconic Indian Travellers in 1890s London." India in Britain: South Asian Networks and Connections, 1858-1950. Ed. Susheila Nasta. Basingstoke: Palgrave Macmillan, 2013. 46-63.

Cook, Susan. “Home Baked: Dickens’s English Muffins and Corporate Characters.” Australasian Journal of Victorian
Studies
18.2 (2013): 17-31.

Cook, Susan (Ed). “Literature and Photography,” special issue of LIT: Literature, Interpretation, Theory 24.2 (Summer 2013). 

Coughlin, Maura. “Spectacle, Maintenance and Materiality: Women and Death in Modern Brittany.” in Women and the Material Culture of Death. Ed. Maureen Daly Goggin and Beth Fowkes Tobin. Burlington, VT: Ashgate, 2013.

Coughlin, Maura. “Sites of Absence and Presence: Tourism and the Morbid Material Culture of Death in Brittany,” in Death Tourism: Disaster Sites as Recreational Landscape. Ed. Brigitte Sion. London: Seagull Books-Enactments, 2013.

Coughlin, Maura. “Place Myths of the Breton Landscape.” Essay in exhibition catalog Representing France: Paintings and Photographs, 1839-1875. Ed. April Watson and Simon Kelly. Kansas City: St. Louis Museum of Art and the Nelson-Atkins Museum, 2013.

Gabriele, Alberto. “Traces and Origins, Signs and Meanings: Analogy and the Thaumatrope in Melville’s Pierre, or, the Ambiguities” Leviathan, a Journal of Melville Studies  15 (2013) 1: 46-62.

Jones, Anna Maria. “The Victorian Childhood of Manga: Toward a Queer Theory of the Child in Toboso Yana’s Kuroshitsuji.” Criticism 55.1 (2013): 1–41

Malton, Sara. “Recountings: On Dickens’ Financial Memory.” English Studies in Canada (Winter 2013).

Miller, Bonnie.  “‘Remember the Alamo’ to ‘Remember the Maine’: The Visual Ideologies of the Mexican and Spanish-American Wars.” The Martial Imagination: Cultural Aspects of American Warfare. Ed. Jimmy L. Bryan, Jr. College Station, TX: Texas A&M Press, 2013. 123-146.  

Oestreich, Kate Faber. “Sue’s Desires: Sexuality and Reform Fashion in Jude the Obscure.” Victorians Institute Journal 41 (2013): 128-154.

Strazdes, Diana. “John Trumbull’s Nude Venus: Life Drawings and Its Intentions.” Master Drawings 51.1 (January-March 2013): 49-62.

Tromp, Marlene, Maria K. Bachman, and Heidi Kaufman, ed. and Introduction. Fear and Loathing: Victorian Xenophobia. Ohio: Ohio State University Press, 2012.

2012

Brown, Stephen. Edouard Vuillard: A Painter and His Muses, 1890-1940. New York: Jewish Museum and Yale University Press, 2012.

Burton, Deborah. Recondite Harmony: Essays on Puccini's Operas. New York: Pendragon, 2012.

Codell, Julie, ed., Transculturation in British Art, 1770–1930. Aldershot: Ashgate, 2012.

Codell, Julie, ed. Power and Resistance: The Delhi Coronation Durbars. Ahmedabad: Mapin, 2012.

Coughlin, Maura. “Celtic Cultural Politics: Monuments and Mortality in Nineteenth-century Brittany.” In Mysticism, Myth, and Celtic Identity. Ed. Shelley Trower. London: Routledge, 2012.

Coughlin, Maura. “Representing Heritage and Loss on the Brittany Coast: Sites, Things and Absence.” International Journal of Heritage Studies. (2012): 1-16.

Coughlin, Maura. “Tourist wider Willen: Cézanne in den Alpen.” (The Accidental Tourist: Cézanne in the Alps) Trans. Clemens Krümmel. In Hochschule Luzern - in Die Kultur des Tourismus – Einleitung. Ed. Peter Spillmann. Design&Kunst 2. Lucerne: Destination Kultur, 2012.

Cusack, Tricia, ed. Art and Identity at the Water’s Edge. Burlington, VT: Ashgate, 2012.

Ennis, Daniel J. and Kate Faber Oestreich. “Gothic Remediation: The Castle of Otranto and The Monk.” The College English Association Critic 74.1 (2011): 20-42.

Greer, Joan E. “Johan Thorn Prikker’s Mural for De Zeemeeuw: Community Art, Mysticism, and the Socio-Religious Role of the Dutch Artist/Designer.” Nineteenth Century Art Worldwide: a journal of nineteenth-century visual culture  11.1 (2012).

Grenier, Katherine Haldane. “’Missions of Benevolence’: Tourism and Charity on Nineteenth-Century Iona.” Travel Writing and Tourism in Britain and Ireland. Ed. Benjamin Colbert. Houndmills: Palgrave MacMillan, 2012. 114-31.

Heiser, Christiane. “Mit der Schlagkraft einer Formel: Johan Thorn Prikkers Christus-Bilder zwischen Anarchismus und Reformkatholizismus.” Christus: Zur Wiederentdeckung des Sakralen in der Moderne. Ed. Anne-Marie Bonnet. Düsseldorf: Düsseldorf University Press, 2012. 271- 300.

Heiser, Christiane. “Johan Thorn Prikker, Josef Albers und die Klasse für Monumentalmalerei 1913-1917.” Lehre und Lehrer an der Folkwangschule für Gestaltung in Essen. Von den Anfängen bis 1972. Publikation zum 100jährigen Jubiläum der Folkwangschule Essen. Ed. Gerda Breuer. Tübingen: Wasmuth, 2012. 66-75.

Hewitt, Regina, ed. John Galt: Observations and Conjectures on Literature, History, and Society. Lewisburg, PA: Bucknell UP, 2012.

Kim, Jane E. “My Brother’s Keeper: The Striving of Siblings in Joanna Baillie’s De Monfort.” European Romantic Review 23.6 (December 2012): 707-26.

Kim, Jane E. “Jobian Suffering in Shelley’s The Cenci.” Studies in English Literature 52.4 (Autumn 2012): 535-66.

Kreisel, Deanna K. Economic Woman: Demand, Gender, and Narrative Closure in Eliot and Hardy. Toronto: U of Toronto P, 2012.

Reitz, Christina. “Fannie Bloomfield-Zeisler: Concert Pianist Battling Gender Lines in
the Early 20th Century.” International Journal of Arts and Commerce 1.1 (June 2012): 138-55.

Reitz, Christina. “Defining the Indefinable: The Leschetizky Method in Vienna and Chicago.” American Music Teacher (Oct/Nov 2012): 26-29.

Reno, Seth. “Wordsworthian Love.” European Romantic Review 23.2 (2012): 177-201.

Samu, Margaret. “The Nude in Eighteenth- and Nineteenth-Century Russian Sculpture." Experiment/Эксперимент 15 (2012): 33-60.

Tromp, Marlene. “Eating, Feeding, and Flesh: Food in Victorian Spiritualism.” Ashgate Research Companion on Victorian Spiritualism and the Occult. Ed. Sarah Wilburn and Tatiana Kontou. Burlington, VT: Ashgate, 2012.

2011

Bivona, Dan.  “Richard F. Burton, Polygamy, and the Worlding of the American West.” Victorian World Literatures: A Special Issue of Yearbook of English Studies. Ed. Pablo Mukherjee 41.2 (2011):  73-93.

Codell, Julie. “The Art Press and the Art Market: The Artist as ‘Economic Man.’” The Rise of the Modern Art Market in London, 1850–1939. Ed. A. Helmreich and P. Fletcher. Manchester: Manchester University Press, 2011. 128-50.

Codell, Julie. “The Art Press and Its Parodies: Unraveling Networks in Swinburne’s 1868 Academy Notes.” Victorian Periodicals Review 44/2 (Summer 2011): 165-83.

Heiser, Christiane, and Mienke Simon Thomas, eds. Johan Thorn Prikker. Mit allen Regel der Kunst: Vom Jugendstil zur Abstraktion. Düsseldorf: Museum Kunstpalast, 2011.

Hubbell, J. Andrew, (2011) “The Chameleon Penman: A Review of John Keats: A Poet and His Manuscripts, Modern Language Studies, 40 (1): 84-7. 

Miller, Bonnie.  From Liberation to Conquest: The Visual and Popular Cultures of the Spanish-American War of 1898. Amherst: University of Massachusetts Press, 2011. Print.

Rochelson, Meri-Jane.  "Masters and Messiahs:  Religion, Sex, and Home in Two Works by Israel Zangwill.”  Victorian Review 37.2 (Fall 2011): 121-35.

Scheuerle, William. George Baxter: The First Color Printing from Metal Plates and Wood Blocks: Portraying Victorian Values of England’s Rising Middle Class. New York: Edwin Mellen Press, 2011.

2010

Coughlin, Maura. “Narratives, Images and Objects of Piety and Loss in Brittany.” Material Culture Review 71 (2010): 54-66.

Coughlin, Maura. “The Spectacle of Piety on the Brittany Coast.” Event Management 14.4 (2010): 287-300.

Cusack, Tricia. Riverscapes and National Identities. Syracuse, NY: Syracuse University Press, 2010.

Greer, Joan E. “Demolishing the Old Social Order: Anarchy, Community Art and the Revolutionary Artist-Worker.” Johan Thorn Prikker. De Jugendstil voorbij. Rotterdam: Boijmans van Beuningen and Dusseldorf: Kunstpalast, 2010. 54-63.

Greer, Joan E. “Labour, Nature and the Decorative in Late Nineteenth-Century Print Culture: Representations of the Socially Engaged Artist in Dutch and Belgian Art Periodicals.”  Imagination and Commitment. Changing perceptions of the social question. Leuven: Peeters, 2010. 83-100.

Greer, Joan E. “Vincent van Gogh and the Modern Landscape in France: Urban Edges, the Industrial Suburb and Rural Labour.” Vincent van Gogh: Timeless Country – Modern City, Rome: Complesso del Vittoriano, 2010. 54-71, 246-250, 252, 266, 267.

Heiser, Christiane. “Der Deutsche Werkbund auf der Weltbühne oder wie Deutschland 1913 doch noch an der Weltausstellung teilnahm: Das deutsche Haus und die deutsche Abteilung für Raumkunst und Kunstgewerbe in Gent.” Archiv für Kulturgeschichte 92 (2010): 364-98.
Malton, Sara. “‘He told me what he would not tell’: Confessional Poetics and the Nineteenth-Century Dramatic Monologue.” Journal of Browning Studies 1 (Feb 2010): 22-36.

Hubbell, J. Andrew, (2010) “`It Was an Ancient Mariner’: Sir Ernest Shackleton Rewrites the Romantic Quest,” Modern Language Quarterly, 71 (3): 271-295.

Hubbell, J. Andrew, (2010) “A Question of Nature: Byron and Wordsworth,” The Wordsworth Circle, 41 (1): 14-18.

Hubbell, J. Andrew, (2010) “Byron’s Cultural Ecology,” European Romantic Review, 21 (2): 182-203.

Scheuerle, William. Henry Kingsley Revisited: Studies of a Popular Nineteenth-Century Popular Novelist. New York: Edwin Mellen Press, 2010.

Strazdes, Diana. “Recasting History: Word and Image in Augustus Saint-Gaudens’s Standing Lincoln Monument.” Word + Image 26.2 (April-June 2010): 128-41.