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Welcome to the Nineteenth Century Studies Association website, where we hope you will find information about the Association, its interests and outlets, as well as enticements to join in the many conversations we have on and beyond these pages.

We are an interdisciplinary Association interested in exploring all aspects of the long nineteenth century, from science to music, from architecture to religion, from movement to literatures—and beyond. We hope you will peruse these pages as a volume inviting you to join us at our annual spring meeting, and we ask you to join our community of those with nineteenth century interests.


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Special Issue of Nineteenth-Century Studies:

Patchwork, Cut-and-Paste, Reassembly

Special Issue of Nineteenth-Century Studies: Patchwork, Cut-and-Paste, Reassembly

 This special issue will focus on ideas of reuse and recombination. How were bits and scraps of materials, textual and otherwise, reassembled into new forms in the nineteenth century? To what ends? Essays might consider these issues in relation to images, fabrics, texts, and more. Possible topics could include scrapbooks, patchwork, quotation, citation, illustration, and any and all forms of recombination. Approaches from all disciplines, including literature, art history, history, music, and the history of science and the social sciences, are welcome, as are submissions that cross national boundaries and/or range across the nineteenth century. One particularly exciting feature of Nineteenth-Century Studies is that the journal encourages authors to enhance their contributions with pertinent artwork.

 

Please submit manuscripts of 8,000-12,000 words, following NCS’s submission guidelines (http://english.selu.edu/ncs/submissions.php) to guest editor Casie LeGette at legette@uga.edu. Early expressions of interest and proposals of topics are also welcome. The initial deadline for submissions of full manuscripts is September 1, 2018, but review will begin June 1, 2018 and earlier submissions are encouraged.

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NSCA conference 2018

draft schedule

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GOTHIC MODERNISMS International Conference: Rijksmuseum, Amsterdam, 29-30 June 2017

29 & 30 June, 2017, Rijksmuseum, Amsterdam, NL

 

REGISTRATION NOW OPEN

 

GOTHIC MODERNISMS: 29 & 30 June, 2017, The Rijksmuseum: A two-day international conference exploring legacies, histories and contested identities of European Gothic/early-modern visual cultures in (global) modernity, in particular in contexts of new fin-de-siècle cultural modernities, modernism, avant-gardes, nationalisms and cosmopolitanisms.

More information here; registration here.

 

Conference fee (two days): 125€; 40€ for students – includes conference, access to the Rijksmuseum Collections on both days, guided visit to the exhibition Small Wonders, coffee, tea, lunch, snacks and drinks. For enquiries please contact both: Professor Juliet Simpson (Coventry University): juliet.simpson@coventry.ac.uk and dr. Tessel M. Bauduin (University of Amsterdam): t.m.bauduin@uva.nl

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CFP: Curiosity and Desire in Fin-de-Si├Ęcle Art and Literature

11-12 MAY 2018 WILLIAM ANDREWS CLARK MEMORIAL LIBRARY, UNIVERSITY OF CALIFORNIA, LOS ANGELES






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Call For Papers: NCSA 2018

VISTAS March 15-17, 2018 Philadelphia, Pennsylvania

 Call for Papers
39th Annual Conference of the Nineteenth Century Studies Association
March 15-17, 2018
Philadelphia, Pennsylvania
V I S T A S


Jacques Gréber, The Proposed Parkway: View from Logan Square to the Philadelphia Museum of Art, 1918.

In honor of the 100th anniversary of Philadelphia’s Benjamin Franklin Parkway, the NCSA committee invites proposals that explore the notion of the vista in the nineteenth century. From personal gardens to public parks, from the street level to the top of a skyscraper, or from the microscope to the panoramic photograph, the nineteenth century was a moment when the idea of the vista changed from a narrow sightline to a sweeping, expansive view. How did theorists alter our historical perspective, broadening our notion of the world through science or religion? In what ways did power systems affect urban vantage points? How did man-made vistas reflect socio-cultural ideals? How did domestic spaces or nightlife transform with the widespread use of gas or electric lighting? How does the conceptual vista operate metaphorically? Topics might include horticulture, landscapes and seascapes, new technology, photography, sightseeing, film and the theater, urban planning, visions and dreamscapes, shifting perceptions of the gaze, or literary or artistic descriptions or depictions of viewpoints. In contrast, papers may consider the absence of vistas, such as mental or physical confinement or elements that obfuscate a view.

Please send 250-word abstracts with one-page CVs to ncsaphila2018@gmail.com by September 30th, 2017. Abstracts should include the author’s name, institutional affiliation, and paper title in the heading. We welcome individual proposals and panel proposals with four presenters and a moderator. Note that submission of a proposal constitutes a commitment to attend if accepted. Presenters will be notified in November 2017. We encourage submissions from graduate students, and those whose proposals have been accepted may submit complete papers to apply for a travel grant to help cover transportation and lodging expenses. Scholars who reside outside of North America and whose proposals have been accepted may submit a full paper to be considered for the International Scholar Travel Grant (see the NCSA website for additional requirements: http://www.ncsaweb.net).

For a pdf version of the CFP click here.




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